#Shiira beasters series#

By the way, it is possible we missed a title from this year, and we could use your help adding it! Let's continue with the trivia. Don't forget to have a look at what was most popular - you can even filter the list by genre helping you to more quickly spot titles that may be to your liking. A total of 148 titles were released in 2019.

#Shiira beasters series#

Our series view count resets each month as to give you a rolling idea what is currently popular. The most viewed series from that year on Anime Characters Database is Demon Slayer: Kimetsu no Yaiba ( 283 views ). We have all kinds of interesting and fascinating trivia from this year to share with you. Legosi seems to be narratively setting up to be a symbol of a new post-segregation beast world – but I suspect he still has some very serious challenges ahead of him in that regard (and have a few guesses as to what they are).2019 was a great year for anime. The irony here, of course, is that pandas’ jaws evolved to become much stronger after they (mostly) switched from meat to vegetation, because bamboo requires serious chewing. “ Meat addiction” (again, fascinating to try and get inside Itagaki’s brain here) is a kind of a scared straight program, and Gouhin tells Legosi that the weakening of his jaws is a sign that he’s overcome his.

But his ties to his past are only frayed, not broken, that much is clear.Īs for Legosi, his involvement in the episode consists of a passage where Gouhin continues to train him up in the ways of the post-carnivore. Despite Ibuki’s rather touching attempts to protect him Louis is quite sanguine about the world he now inhabits (we see – but mostly hear – a gruesome example of what sort of world it is). These two not being over each other is something which has significant implications for the larger story, and I think we can assume if Louis is dreaming about Haru he’s not over her. Haru calling Louis (at Juno’s behest) is another fairly ominous development, even if he rejects the call with extreme prejudice. Haru is eager for the opportunity to spend time with another girl, an extreme rarity for her, and Juno views her primarily in light of how she appears to Legosi. She rather ominously trails Haru to the gardening club, but (for now at least) their interaction is another exploration of female relationships in this mythology. To what extent this comes down to her jealousy over Haru and Legosi is a matter of debate, but more broadly she feels that carnivores are “inferior” to herbivores. Juno is a bit of an oddball in quite vehemently (though secretly) believing that segregation is a good thing. As is so often the case it’s fascinating to try and guess at just what sort of messaging Itagaki is playing at here. Sheila notes that evolution has made the herbivores more image-conscious (a very odd and interesting take), but the two start to bond when commiserating over their inherent limitations when it comes to clothing (patterns and spots are as anathema as polyester and wool). I’m sure I wasn’t the only one who flinched when Sheila grabbed Peach’s arm, but the worst that happens here is the awkwardness between the two girls in their mall-hopping. She decides to invite Peach on what turns out to be a very memorable shopping trip. Sheila puts up the appearances of unity, but despises being a symbol. This seems to have sprung up in defiance of the school’s upcoming segregationist policies, which – despite the tragedies that have occurred there – the drama club is especially opposed to.

Peach is a more familiar figure, a seemingly fearless and outgoing sheep who’s currently fully engaged in the trend of herbivore-carnivore selfies posted on “Beastbook”. I don’t know that I would even have been able to tell you who Sheila (or Shiira) was by name before this week, though we’ve seen her around the drama club plenty. On every level, this series is close to singular. It’s groaning with big ideas, which often seem to be in conflict with each other even when you think you’ve figured them out. The narrative bobs and weaves like vintage Muhammad Ali, resulting in a lack of flow I believe is very intentional. It doesn’t fit with any template I can apply to it, which I think is the main reason I find it so hard to figure out (and occasionally to connect with).

「光を浴びたらシルエットの違いを笑おう」 ( Hikari o Abitara Shiruetto no Chigai o Waraō)īeastars is just different.